Answers to the Future can be Found in the Past

SuperAdobes are more than buildings. They’re lessons in philosophy, geometry, and ecology—what Cal-Earth founder Nader Khalili, a visionary Persian architect, called “architecture of the people.” Walking through them felt like stepping into a Rumi poem made tangible:

  • Earth, air, fire, and water working together.

  • Sacred geometry and simple tools.

  • Design decisions conscious of the sun’s rise and fall.

  • Curves that echo seashells, protecting what’s within while harmonizing with the elements outside.

The building process itself is meditative—bags of earth layered into sinuous domes, tamped down rhythmically, like prayer beads strung together. You are not just constructing a shelter; you are creating a sculpture that breathes with the land.

Seven years ago, I stumbled upon an alternative at Cal-Earth (The California Institute of Earth Art and Architecture). The first Saturday of every month, they host an open house. That single afternoon changed everything I thought I knew about the idea of home. What I discovered was the world of SuperAdobe—structures made from earth itself, designed not just for sustainability, but for survival while maintaining a masterfully beautiful aesthetic.

Khalili observed that seashells are masterpieces of natural design: resilient, protective, and made from the same materials as the environment around them. SuperAdobes follow the same principle: homes built from the earth, to withstand the forces of the earth.

  • Fire Resistant: Like pottery, they only strengthen when exposed to flames.

  • Earthquake Proof: Anchored to the ground with simple geometry, they sway with tremors instead of collapsing.

  • Thermally Balanced: Thick earthen walls absorb heat by day and release it at night, creating a natural cooling system.

There are limitations, of course. Standing water is their greatest threat. In flood zones, their foundations risk erosion—something that wooden stilt homes, or even amphibious “boat houses,” are better suited for. But in arid, fire-prone, or seismic-prone regions, SuperAdobe stands as a profound alternative to timber and drywall.

Founded in 1991, Cal-Earth is both an educational institute and a laboratory.

  • Experimental prototypes alongside fully functioning homes.

  • Fire pits, courtyards, and community gathering spaces.

  • Ceramic-like domes and vaults that feel both ancient and futuristic.

It’s not just a school for alternative architecture—it’s a community holistically focused on resilience, sustainability, and spirituality.

As the intensity of global warming ascends, our survival will depend on adaption—not just how we live, but how we build. The American concept of the modern home, with sheetrock walls and wood framing, carries a heavy carbon footprint. Even worse, these structures often prove fragile in the wake of natural disasters. Fires consume them. Earthquakes crumble them. Floods rot them from within.

What struck me most at Cal-Earth is how familiar these homes felt. Humanity has been building with earth for millennia. From adobe pueblos to desert kasbahs, our ancestors already knew how to work with climate, terrain, and natural cycles. The answers we seek for the future—low-impact, disaster-resistant, soulful architecture—are buried in the wisdom of the past.

Earth One

Triple Vault

Earth I

Eco Dome

Strawbale Dome

Dog House

Brandon Evans, Michelle Tolland, Britney Penouilh, Bridget Butler, and James Ojeda

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